Robert De Luce's Constellational Astrology
Posted: Thu Jul 11, 2013 10:48 pm
A book that was popular in the 1960s among western students of India's astrology was Robert De Luce's Constellational Astrology published in 1963. This book gives a perspective of India's astrology at that time, at least among the more educated. The book is highly mathematical, detailing the complex calculations of shad bala, ashtakavarga, dasas, etc. This was prior to the days of computers when astrologers had to have a working knowledge of mathematics.
De Luce had been studying astrology since the turn of the century (18th to 19th), and had later taken up the study of Sanskrit. But it was only in 1936-1938 that he traveled to India to converse with astrologers. De Luce became friends with V. Subrahmanya Sastri who had translated many of India' classical astrological texts, and who became a mentor to De Luce. (Since Constellational Astrology wasn't published until 1963, this may be the more accurate date for the astrology in the book.)
De Luce writes that the commonly used chart was the rasi (sign) chakra, but that classical Hindu works on astrology such as Sripati Paddhati advocated the use of the bhava (house) chakra which would give more accurate results in delineation. This was the chart used for the analysis of love, health, physical appearance, etc...and related to events which would deeply affect the personality and lead to key changes in the life.
This is the familiar Sripati chart which trisects the space between the Midheaven and Ascendant. De Luce illustrates this chart, drawing the cusps at the centers of the houses, and points out that that a planet near the cusps allowed for the full expression of a planet. Near the mid-point between cusps (illustrated by dotted lines) a planet's power was minimal.
So at least in De Luce's book (with Sastri as his mentor), there is no mention of the equal house chart with cusps at the center of houses that was favored by B.V. Raman and his daughter. We don't know which chart style was preferred by Raman's grandfather, B. Suryanarain Rao, who was Raman's teacher and mentor.
De Luce had been studying astrology since the turn of the century (18th to 19th), and had later taken up the study of Sanskrit. But it was only in 1936-1938 that he traveled to India to converse with astrologers. De Luce became friends with V. Subrahmanya Sastri who had translated many of India' classical astrological texts, and who became a mentor to De Luce. (Since Constellational Astrology wasn't published until 1963, this may be the more accurate date for the astrology in the book.)
De Luce writes that the commonly used chart was the rasi (sign) chakra, but that classical Hindu works on astrology such as Sripati Paddhati advocated the use of the bhava (house) chakra which would give more accurate results in delineation. This was the chart used for the analysis of love, health, physical appearance, etc...and related to events which would deeply affect the personality and lead to key changes in the life.
This is the familiar Sripati chart which trisects the space between the Midheaven and Ascendant. De Luce illustrates this chart, drawing the cusps at the centers of the houses, and points out that that a planet near the cusps allowed for the full expression of a planet. Near the mid-point between cusps (illustrated by dotted lines) a planet's power was minimal.
So at least in De Luce's book (with Sastri as his mentor), there is no mention of the equal house chart with cusps at the center of houses that was favored by B.V. Raman and his daughter. We don't know which chart style was preferred by Raman's grandfather, B. Suryanarain Rao, who was Raman's teacher and mentor.