Atlantean wrote:
Deb has mentioned that she was reading a sidereal book on the signs, where the meanings were the same as the tropical. This is a hard concept to rationalize away.
Not necessarily. Its actually quite possible depending on what kind of siderealist you actually are. After all sidereal astrology is not monolithic is it?
I would suggest there are in crude terms at least four approaches to sidereal astrology which may all present the subject of signs differently.
A)
Modern Western Siderealism in the Cyril Fagan tradition.
Astrologers within this approach are modern in outook and incorporate outer planets. This also includes outer planet rulership of signs. This inevitably colours their approach to signs.
B)
Traditional Western siderealism. Using all the familiar features of western traditional astrology with a sidereal rather han tropical zodiac. Just as with tropicalists there will be those more influenced from a hellenistic or medieval outlook.
C)
Modern Indian Astrology Some traditional siderealists have been critical of the influence of western tropical astrology on modern Indian astrology. Their criticism is even more intense of some varieties of so called 'Vedic astrology' which has been popularised by western teachers in North America. The point being that they have diluted and in some cases distorted our understanding of classical Indian astrology. This raises the question of how authentic many popular guides to Indian astrology are in representing its classical teachings.
D)
Classical or Traditional Indian Astrology Utilising the methods of ancient and medieval Indian astrology.
There is clearly a lot of common ground between a western traditional and classical Indian approach. However, Indian astrology has developed many distinctive characteristics of its own. Undoubtably, the most crucial difference is the prime importance of the Lunar Mansions (Nakshatras) in Indian astrology.
A former siderealist member here suggested that while the meaning of the signs has remained the same in the sidereal zodiac, the tropical interpretations of the signs have changed over time because of precession. Hence the argument runs if you look at ancient astrologers like Vettius Valens you see quite different characteristics assigned to signs than you see today. In a nutshell the argument is many of the characteristics of the signs described by Valens have shifted to the next sign in zodiacal order.
Note: From a tropical perspective the sidereal zodiac is moving forward through the tropical signs. For a siderealist the perspective is reversed with the the tropical zodiac moving backwards through the sidereal signs.
Hence it is suggested the tropical Cancer of today sounds more like Valens description of Gemini while Valens Cancer sounds more like the tropical Leo today.
This position was extremely well put by a former member of Skyscript ( Sari). Sari eventually dropped out of astrology after deciding it was not compatible with her faith. While she never converted me to siderealism I always enjoyed her well informed input. Like Therese she was a traditional siderealist. Here is part of one of her posts to me from a discussion I had with her some years back:
Sari wrote:
The biggest mistake people make with the sidereal zodiac is that they try to apply modern tropical delineations onto it, then dismiss it altogether when they don?t work. One should instead read old texts very carefully, for example Valens. Comparing Vettius Valens and Linda Goodman is especially interesting.
For example, why does Valens say that Leo despises flattery (Anthology I, translated by Project Hindsight), and then Linda Goodman writes: ?A little flattery will get you everywhere with your Leo lady. You've already found out it's her secret weakness.? Is Goodman simply wrong? Why then has her Sun sign book sold possibly more than any astrological book before and after, being the bible of the sign traits in modern astrology? Or was Valens wrong? Or have the signs mysteriously changed? Or has the meaning for words changed so that what we today see as proneness to flattery was something completely opposite for the ancients?
But then we have Cancer who ? according to Valens ? is theatrical and fond of repute, pleasure and entertaining. Wait a minute, isn't this the Leo whom Goodman describes as follows: ?But the typical lion is a spectacular gambler at heart, often wildly extravagant; even the rare cat who pinches pennies will dress expensively, and always look well turned out. He wants first class and luxury all the way, and he'll spend freely on fun and pleasure.??
There are more surprising delineations in Valens: Geminis who are prudent, effeminate and capable in matters of household management (and we thought that it was Cancer whom Goodman wrote about ?Don't ever let her get the edge on cooking and homemaking. Let her teach you how to bake lemon chiffon pie.?). Valens says that Taurus is versed in handicraft, Goodman writes about Gemini that ?Geminis are experts at sleight of hand?.
Valens says that Sagittarius is enigmatical, authoritative, kingly, notable and lover of reputation, and this is how Goodman describes Capricorn: ?He's such a shy, sweet soul, a trifle stubborn perhaps, but gentle about it. He seems so harmless. What a safe person to trust and confide in-how pleasantly he builds your ego. Who could hurt him or suspect him of ambition? All the while, Capricorn is using your own weaknesses, conceits and jealousies to make himself stronger. He's useful and eventually so indispensable that you ask him to take over the reins. Then hell rule unobtrusively in the corner, modestly pulling the strings of authority. The goat sub?merges his ego to gain what his ego truly desires-the position of the real leader.?
And how about Capricorn, the Goat-Horned, in Valens? text? Here we find the following list: licentious, bad, fond of laughter, making bad mistakes, fickle, mischievous, a shameful liar. Compare this with the respectable cautiousness of Capricorn in Goodman?s text! But as you've already guessed, we?ll find all the qualities of Valens? Capricorn in Goodman?s Aquarius. And then of course Pisces by Valens: full of eruptions, restless, rough, sociable, erotic, licentious, popular. I need not to quote what Goodman says about Aries here, don?t I?
Of course there are weaknesses in this argument. Not the least the comparison of Valens to a pop astrologer like Goodman. The more interesting question is do we see medieval and renaissance astrologers do the same kind of thing over time? As I see it this argument doesn't work at all in the majority of signs. You really have to cherry pick to find any cross overs. Valens description of all the signs sound little like a tropical delineation of the following sign to me. That is not to suggest Valens approach to the signs is synonymous to later medieval and renaissance attitudes in all instances. Even Ptolemy's approach to the signs was different to the later tradition in that he did not use elements and attributed his own system of qualities to the signs. Hence Cancer was a 'moist and warm' sign not a cold sign and Scorpio being Mars ruled was a 'dry' sign.
It should be said Valens is just one astrological source. He is quite idiosyncratic and unrepresentative in assigning personality characteristics to the signs. As Deb and Tom have already pointed out traditional astrological texts normally set out the planets as the key determinants of character not the signs in themselves. On the other hand modern astrology has reversed this outlook with the focus on Sun sign astrology and what one might call 'signism'.
Mark