Ancient Instruments & Uranometry
Posted: Mon Aug 02, 2021 4:29 am

Celestial Atlas
by Felice Stoppa
http://www.atlascoelestis.com/
presented by Jean-Pierre Luminet
http://blogs.futura-sciences.com/luminet/
Directeur de recherches au C.N.R.S.
Laboratoire Univers et Théories (LUTH)
Observatoire de Paris-Meudon
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The site www.atlascoelestis.com run by Felice Stoppa and presented by Jean-Pierre Luminet offers a marvelous visual walk in the enchanted garden of uranometry.
From Piccolomini to Delporte, via Gallucci, Bayer, Cellarius, Hevelius, Doppelmayer, Flamsteed, Bode or Argelander, the most beautiful atlases in history, the most beautiful maps of the sky engraved by human skill and imagination are offered to the Internet user. Faced with such treasures, the mind can only exclaim, repeating the phrase addressed by the Marquise de G. to Monsieur de Fontenelle on the first evening of his Conversations on the Plurality of Worlds (1686): "Teach me your stars. ! "
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1) The rich history of the celestial atlases can be broken down into four major periods. Until Bayer's Uranometria (1603), aesthetic and astrological concerns governed the development of celestial charts. The positions of the stars are most often taken from the catalogs of Ptolemy or al-Sufi. The constellations are represented by stylized figures in the tradition of Germanicus, i.e. the Latin translation of Aratos' Greek poem on the constellations, the Phenomena (Phaenomena). The positions of stars are sometimes not indicated, or else incorrectly, conforming to the figurative requirement of an arm, a sword, a face, the outline of a character or an animal mythological, more than astronomical accuracy. This tradition continued during the Middle Ages and the Renaissance. The first printed book illustrated with constellation figures was published in 1482.
2) From the Bayer Atlas to Bode's Uranographia (1801), uranometry is experiencing its golden age. The accuracy of the stellar positions, taken from new catalogs compiled by the best observers, such as Tycho Brahé, is combined with aesthetic concern. Cartographers compete in ingenuity to deliver visions of the sky that are both precise and spectacular.
3) The third period, which begins with the atlas of Bode and ends with that of Delporte (1930), is marked by the professionalization of atlases. If Bode’s Uranogaphia represents the peak of a certain tradition, it also marks the beginning of the split between atlases intended for professional astronomers and those intended for amateurs. The idea of a single large book for everyone, containing everything visible in the sky with easily recognizable figures of constellations, is indeed no longer feasible.
4) Telescopes reveal new celestial objects: stars too faint to be visible to the naked eye, variable stars, new stars, nebulae, which find their place in maps. Precision increases, mythological figures gradually disappear, the advent of photography gives rise to new undertakings. By definitively fixing the constellations, the Atlas of Delporte (1930) opens the modern period. The great censuses (in English, surveys) of the sky carried out with the telescopes of Mount Palomar or the European Southern Observatory (ESO) are materialized by hundreds of photographic plates containing millions of objects. With the development of computers and communication networks, catalogs and atlases are now available online.
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In 'Les Cahiers Clairaut No.144 December 2013, Christian Larcher presents some ancient tools used by earlier astronomers. (Note Google translation)
Instruments like
L'arbalestrille (ou baton de Jacob), (The cross-bar (or Jacob's staff)

The crossbar, an angle measuring instrument, well known to ship pilots from the 14th to the 18th century, has always lacked precision. The discoveries of the octant and then of the sextant completely took it out of the measuring equipment. There were (illusory?) corrections to be made for fuzzy shadow effects due to angular diameter of the Sun and for the curvature of the Earth for the horizon as a function of the altitude of the observer.
L'astrolabe, (The astrolabe)

The eardrum is a metal disc that attaches to the interior of the matrix. An inner circle represents the visible sky.
The circles engraved on the eardrum allow you to find your way in the sky. Those which are graduated from 0 to 90 degrees indicate the height of the star. In another circle is the zenith (90 degrees high)
An eardrum is drawn for a given latitude and the circles passing through the zenith indicate the azimuth.
The hours of the day as well as the cardinal points are engraved on the matrix of the instrument.
The index which looks like a moving arrow graduated in declination can be aligned with the sun and indicates solar time.
There is a story around the Astrolabe. A UK-based wreck hunter claims to have found the oldest known nautical astrolabe, a navigational instrument that guided Portuguese explorers on a perilous journey to India in the early 16th century.
David Mearns told AFP he found the 17.5cm-diameter bronze disc while diving on a wreck off Oman in 2014 but explained that the University of Warwick has only just identified the object, after scanning it.
"When I saw it, I immediately knew it was a very, very important object. I saw a royal coat of arms on it," said David Mearns. "It is the oldest nautical astrolabe", according to this American living in the United Kingdom, dating it between 1496 and 1500, about 30 years earlier than the oldest astrolabe then known.
Mearns' firm, Blue Water Recoveries, found the wreckage in 1998 but did not start excavating it until 2013, together with Oman's Ministry of Culture.
According to Davis Mearns, the wreck is that of a ship called the Esmeralda, which was part of Vasco da Gama's second expedition to India in 1502-1503 and whose captain was the explorer's uncle.
Vasco da Gama was the first European to reach India by sea in 1498, a discovery that paved the way for a period of colonization and trade between Europe and Asia. The astrolabe bore the personal emblem of King Manuel I of Portugal, who took the throne in October 1495. "The Portuguese were at the forefront of developing astrolabes at sea. The oldest reference to their use at sea dates from around 1480," explained David Mearns. Its discovery was placed in the National Museum of Oman.
Le Nocturlabe, (The Nocturnal)

Even if the nightly course of the stars has been known since antiquity, mentions of a dedicated instrument for its measurement are not found before the Middle Ages. The earliest image presenting the use of a nocturnal is in a manuscript dated from the 12th century. Raymond Lull repeatedly described the use of a sphaera horarum noctis or astrolabium nocturnum. With Martín Cortés de Albacar's book Arte de Navegar, published in 1551 the name and the instrument gained a larger popularity.
Les Spheres armillaires (The armillary spheres)

Le Quartier de Davis, (Davis Quadrant)

L'octant ou le Sextant, (The Octant or the Sextant)

Le Sablier (The Hourglass)

Ouranos